Madarsa mekapilla
Pre publication views.
Pre publication views.
1. Dr. Pasunuri Ravinder.
Write,Kendra Sahistya Academy youth award winner.
Write,Kendra Sahistya Academy youth award winner.
As long as the state acts as the representative of wolves, the innocent lambs would continue to be sacrificed. In the last three years, there are no counts of such innocent lambs which became the victim of wolves.
The jungle democracy is more precious to communalistic wolves than the human democracy.
This whole story moves ahead symbolically showing the atrocity of dominant forces, and the helplessness of victim groups parallel to each other.
The narration is interesting. It seems like the writer stepped into shoes of the characters. The writer has immense knowledge upon the state ship, history, law, and war policy. He also has deep understanding of contemporary political situation. His democratic ideology runs as undercurrent in this story.
This is the story which highlights the atrocities of fascist forces which are becoming uncontrollable with the patronage of rulers. This story is a hard slap upon the retrogressive forces which think that everything they do under the mask of religion would remain unquestionable.
Congratulations dear brother...
2. Afsar Mohammad.
Poet and Critic
Brother Danny, thank you ....
When Danny writes story, it remains in our memory for years together and we yearn to read it again and again. Though I was busy with my inevitable journeys, I couldn’t stop reading it. The sound of those whip lashes, the writing style of Danny, the sparkles of his pen are once more in complete glory.
The jungle democracy is more precious to communalistic wolves than the human democracy.
This whole story moves ahead symbolically showing the atrocity of dominant forces, and the helplessness of victim groups parallel to each other.
The narration is interesting. It seems like the writer stepped into shoes of the characters. The writer has immense knowledge upon the state ship, history, law, and war policy. He also has deep understanding of contemporary political situation. His democratic ideology runs as undercurrent in this story.
This is the story which highlights the atrocities of fascist forces which are becoming uncontrollable with the patronage of rulers. This story is a hard slap upon the retrogressive forces which think that everything they do under the mask of religion would remain unquestionable.
Congratulations dear brother...
2. Afsar Mohammad.
Poet and Critic
Brother Danny, thank you ....
When Danny writes story, it remains in our memory for years together and we yearn to read it again and again. Though I was busy with my inevitable journeys, I couldn’t stop reading it. The sound of those whip lashes, the writing style of Danny, the sparkles of his pen are once more in complete glory.
3. Jhonson Cheragudi
Writer and social analyst
Writer and social analyst
The story telling is very good.
Pathos has been created with the symbolism of lamb.
It would have been better if the story has ended on a hopeful note.
It doesn’t deserve to end on a tragic note.
Even if it does now, it’s our responsibility to give a hope to the future generations.
Pathos has been created with the symbolism of lamb.
It would have been better if the story has ended on a hopeful note.
It doesn’t deserve to end on a tragic note.
Even if it does now, it’s our responsibility to give a hope to the future generations.
4. Bharadwaja Rrangavagnahala
Writer and Critic
Writer and Critic
This is the most needed book written in very right time. Even though a couple of dialogues of wolves reminded me of our Nandamoori family, and my sentiments were a bit hurt, as they were inevitable for the story, I can’t stop myself from acknowledging that this is a wonderful book.
5. Vempalle Shariff
6. Wonderful. This story pictures the predicament of Muslims in the future. Just great.
7. I just completed reading the Madasrsa Mekapilla of Danny once again. Being a minority, this story gave me goose bumps.
8. 6.vemana vasantha lakshmi
9. Very touching Danny. Humour, sarcasm, criticism, everything is just at right place. It got everything in equal balance.
10. It’s a pity that Telugu newspapers might not publish this.
6. Wonderful. This story pictures the predicament of Muslims in the future. Just great.
7. I just completed reading the Madasrsa Mekapilla of Danny once again. Being a minority, this story gave me goose bumps.
8. 6.vemana vasantha lakshmi
9. Very touching Danny. Humour, sarcasm, criticism, everything is just at right place. It got everything in equal balance.
10. It’s a pity that Telugu newspapers might not publish this.
7. Abdul Wahed.
It’s too good. Please send it for publication.
8. Gadiyaram Srivatsa
The narration is too good. But when the whole country is full of wolves, what else remains in the story, but the futile effort.
9. Jaha Aara.
Your story is too good sir. You have documented the Muslim lynching in Telugu literature which is demand of the hour....the tragedy in the climax is well established.
10.Sriram Murthy Gaara ( Nijam)
It’s very good sir.
11. anwar, Warangal
It’s a terrific story, just firing!
It’s a powerful political story.
12. Shanti Sri.
When I read it, I felt like I just watched the whole history moving in front of my eyes along with that train. I really didn’t like the murder of that tiny lamb. It would have been better if that courageous lamb, along with other lambs had fought against the wolves. How many more years it would go like this? At the end, Danny just made me cry..
In the kingdom of wolves, goats are minorities... Danny depicted the atrocities, the resistance, the helplessness...but the one who fights against atrocity must win...he must win.. We must win...
13. Mohammad Khadeer Babu.
The anger which accumulated in the gut came out ultimately as this story. This story impacts the readers with hard reality. This is one of the most outstanding stories of 2017.
14. Dr. Gangadhar Gopidesi
Danny...my throat is chocked with inexpressible pain after I completed it. I just can’t say anything more than this.
15. N. Venu Gopal.
Danny, Madarsa Mekapilla is too good. It’s just not too good, it’s powerful. It made me cry. It reminded me of your thirty years old stories, Prahladudu and Kripaaan. Do you remember that after reading Prahladudu, Kaloji himself came asking for you.
16. Parthasaradhi Muktavaram.
It is a modern fable. A gem of rhetoric …. Fantasy is the legitimate device of anyone who attempts realistic themes.
17. Usha S. Danny
The stories are basically of three types. First one; in which the reader or the characters have no clue about course of story. The second one, in which the characters are aware of the story but the readers doesn’t have any clue. The third one, the readers know, but the characters are clueless about their predicament.
I like to write the third type of stories. This Madarsa Mekapilla is one such story.
Ramayan might have been written hundreds of times till now. People read all of them. Dozens of movies were made upon them. People see all of them. Even though the Telugu viewers had already seen the Lavkush, and Sampoorna Ramayan, they just glued to TV for two years to watch Hindi Ramayan .
All the viewers know that when Ram and Lakshman went in search of golden deer, it was Ravan who came in the attire of sage to the parnashala. But Sita doesn’t know this. When Sita tries to cross the Lakshman rekha, each one of the viewers feels like stopping her. ‘He is Ravan! he has come to kidnap you dear mother.’ I have seen many female viewers shouting in the theatre to alert Sita. That’s the magic of epics.
Some people don’t go to movie if they know the climax. But the movies based on the epics have a definite and predetermined starting and ending. And still the viewers run to theatres to watch them. Why? The character of Duryodhana is picturized in one way by S.V. Rangarao and in other way by N.T. Ramarao. Creativity is not just about telling something new, it’s about telling the same thing in a different way.
It’s really took effort on my part to present the story known by everyone in a completely new and creative way. It was a challenge and I love to accept and accomplish such challenges.
It’s too good. Please send it for publication.
8. Gadiyaram Srivatsa
The narration is too good. But when the whole country is full of wolves, what else remains in the story, but the futile effort.
9. Jaha Aara.
Your story is too good sir. You have documented the Muslim lynching in Telugu literature which is demand of the hour....the tragedy in the climax is well established.
10.Sriram Murthy Gaara ( Nijam)
It’s very good sir.
11. anwar, Warangal
It’s a terrific story, just firing!
It’s a powerful political story.
12. Shanti Sri.
When I read it, I felt like I just watched the whole history moving in front of my eyes along with that train. I really didn’t like the murder of that tiny lamb. It would have been better if that courageous lamb, along with other lambs had fought against the wolves. How many more years it would go like this? At the end, Danny just made me cry..
In the kingdom of wolves, goats are minorities... Danny depicted the atrocities, the resistance, the helplessness...but the one who fights against atrocity must win...he must win.. We must win...
13. Mohammad Khadeer Babu.
The anger which accumulated in the gut came out ultimately as this story. This story impacts the readers with hard reality. This is one of the most outstanding stories of 2017.
14. Dr. Gangadhar Gopidesi
Danny...my throat is chocked with inexpressible pain after I completed it. I just can’t say anything more than this.
15. N. Venu Gopal.
Danny, Madarsa Mekapilla is too good. It’s just not too good, it’s powerful. It made me cry. It reminded me of your thirty years old stories, Prahladudu and Kripaaan. Do you remember that after reading Prahladudu, Kaloji himself came asking for you.
16. Parthasaradhi Muktavaram.
It is a modern fable. A gem of rhetoric …. Fantasy is the legitimate device of anyone who attempts realistic themes.
17. Usha S. Danny
The stories are basically of three types. First one; in which the reader or the characters have no clue about course of story. The second one, in which the characters are aware of the story but the readers doesn’t have any clue. The third one, the readers know, but the characters are clueless about their predicament.
I like to write the third type of stories. This Madarsa Mekapilla is one such story.
Ramayan might have been written hundreds of times till now. People read all of them. Dozens of movies were made upon them. People see all of them. Even though the Telugu viewers had already seen the Lavkush, and Sampoorna Ramayan, they just glued to TV for two years to watch Hindi Ramayan .
All the viewers know that when Ram and Lakshman went in search of golden deer, it was Ravan who came in the attire of sage to the parnashala. But Sita doesn’t know this. When Sita tries to cross the Lakshman rekha, each one of the viewers feels like stopping her. ‘He is Ravan! he has come to kidnap you dear mother.’ I have seen many female viewers shouting in the theatre to alert Sita. That’s the magic of epics.
Some people don’t go to movie if they know the climax. But the movies based on the epics have a definite and predetermined starting and ending. And still the viewers run to theatres to watch them. Why? The character of Duryodhana is picturized in one way by S.V. Rangarao and in other way by N.T. Ramarao. Creativity is not just about telling something new, it’s about telling the same thing in a different way.
It’s really took effort on my part to present the story known by everyone in a completely new and creative way. It was a challenge and I love to accept and accomplish such challenges.
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